Pangea Ultima I, La chute d’Icare, 2014 - 70'

Scène nationale de Sénart, Paris (France), Théâtre Victor-Hugo de Bagneux, Paris (France), Usine à Gaz, Nyon (Switzerland). Stage performance synchronized in dialogue with its own rendering on film. As minute dust in the vast time scheme of the continental drift, the human spirit sets out on its first path towards consciousness, from Icarus, who thought he knew, to Cassandra, who knew and whom no one believed. Installation of bamboo and bodies in suspension (Shibari), combat in paint and percussion, to end in the soothing words of Empedocles, “Love, wreathed in love.”